Darlingside

Darlingside

Twain

Sat Mar 31

Doors: 7:00 pm / Show: 8:00 pm

Union Stage

$18 - $25

• Full dinner and drink menu available
• The Premier Plus section is a raised area with great views and reserved seats and tables. There is a dedicated server for faster service

Darlingside
Darlingside
This concert is held at Sixth & I Synagogue 600 I Street, NW Washington, DC 20001

"It's over now / The flag is sunk / The world has flattened out," are the first words of Extralife, the new album by Boston-based quartet Darlingside. While the band's critically acclaimed 2015 release Birds Say was steeped in nostalgia and the conviction of youth, Extralife grapples with dystopian realities and uncertain futures. Whether ambling down a sidewalk during the apocalypse or getting stuck in a video game for eternity, the band asks, sometimes cynically, sometimes playfully: what comes next? Their erstwhile innocence is now bloodshot for the better.

Hope arrives in the form of Darlingside's signature superpower harmonies, drawing frequent comparisons to late-60's era groups like Crosby, Stills & Nash; Simon & Garfunkel; and The Byrds. And yet, their penchant for science fiction and speculative futurism counteracts any urge to pigeonhole their aesthetic as "retro". The four close friends construct every piece of their music collaboratively, pooling musical and lyrical ideas so that each song bears the imprint of four different writing voices. NPR Music dubs the result "exquisitely-arranged, literary-minded, baroque folk-pop", and calls Extralife "perfectly crafted".

Darlingside perform all of their music around a single vocal microphone, inviting audiences into a lush, intimate world where four voices are truly one. Their 2016 performance at the Cambridge Folk Festival "earned an ecstatic reception and turned them into instant stars", according to The Daily Telegraph. The band tours regularly throughout the United States, Canada, and the UK, and will embark on its first tour of Germany in November 2018.
Twain
Twain
Have you ever…
...faced an impossible question, to be answered at once by a kaleidoscope of wind, diffusing your bewilderment into thousands of spinning bulbs?
...awoken to hear the person sleeping beside you speaking a language they do not speak in their waking life?

...felt your legs possessed, to throw you across the room in shapes?

...lost your heart, only to find it on the bank of a cold spring, in the hands of a filling station attendant, or in the dust swimming through the light of your bedroom window?

Have you ever listened to Twain?
“A lonely day, I went outside to smoke awhile,
and think about a picture in a book:
He was laying in the grass in his suit,
as the angler posed in pursuit of the fish”

For the past decade or so, Mt. Davidson has cultivated his songs and sounds, attempting to create a bridge, a meeting place, between the terrestrial and the mystic. He is a ponderous and delicate sort of creature, short and vaguely leonine, who has spent most of his young life abiding in the midlands of transcendence.
“Oh to be there, the smell of her hair,
the deer swimming through the watery woods,
life won’t last long for those who hate it,
for those who love it, it lingers on like a dream”

Following its quiet self-release in 2014, his fifth and most recent LP, Life Labors in the Choir, has steadily gained devoted listeners throughout the globe and continues to blossom today. The album describes a marked evolution in an alluring yet strange and hesitant discography. Progressing from the bashfully childlike sounds of 2005’s Madeline, (now lost), through self-constructed garage multi-track tangles of Sleeping Tree (2007) and Almanack (2008), we hear the progress of a young man struggling to free himself from the shackles of depression and neurosis. In 2010’s Love is All Around, a distinct breakthrough can be felt in the form of a question that challenges the foundation of the doubt and fear running through the early music. This sudden evolution is in no small part owing to the addition of two musicians - Peter Pezzimenti (drums and vibes) and Ken Woodward (basses) - and a sound engineer - Adrian Olsen. The music really began to breathe.

“Free’d from doubt, my cigarette went out,
the sun came out and warmed up the house,
oh to be fainting into that painting,
as I wrap up the tune and bring it to you”
This fall, Twain will release a new record of songs - Rare Feeling - on Keeled Scales Records (Austin, TX). These recordings have been gently fermenting for an extended period of time, and are now ready for consumption. The foundation of the record was captured in a tool shed by the great magi-bard, S. McMicken (Dr. Dog), using ancient and secret methods of time distortion. The resultant reels were then brought to Richmond VA, where master engineer and sound-seeker Adrian Olsen guided the songs into completion. As with the previous LP, the band has labored to present a purely AAA analog disc, and is eager for you to experience the special magnetic warmth that results from the process. (We once again are indebted to the mysterious and mighty Paul Gold of Salt Mastering for his kind attention).
If you would like to hear some music, please head over to twain.band.
Venue Information:
Union Stage
740 Water Street SW
Washington, DC, 20024
http://www.unionstage.com/